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îáðàòíûé çâîíîê
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Çâóêîâîå îáîðóäîâàíèå

    P.A.

  • Àêóñòè÷åñêàÿ ñèñòåìà MARTIN AUDIO W8LC-22øò
  • Àêóñòè÷åñêàÿ ñèñòåìà MARTIN AUDIO W8LCD-4øò
  • Ñóááàñîâàÿ ñèñòåìà MARTIN AUDIO WSX-20øò
  • Óñèëèòåëü LabGruppenPLM10000Q-2øò
  • Óñèëèòåëü MARTIN AUDIO Ma 2.8-16øò
  • Óñèëèòåëü MARTIN AUDIO MA 3.0- 4øò
  • Óñèëèòåëü CROWN IT 6000-4øò
  • Óñèëèòåëü CROWN IT 4000-4øò
  • Óñèëèòåëü Labgruppen FP 2600-2øò
  • Óñèëèòåëü Labgruppen Ñ28:4-2øò
  • Êîíòðîëëåð MARTIN AUDIO DX 2-2øò
  • Ëåáåäêa ChainMaster 1t-10øò
  • Ïóëüò ëåáåäî÷íûé 1 in - 2 out
  • Ïóëüò ëåáåäî÷íûé 1 in - 12 out

  • near-fill

  • Óñèëèòåëü CROWN MA 5002-2øò
  • Óñèëèòåëü CROWN CTS 2000-1øò

  • Wedges

  • Ìîíèòîð MARTIN AUDIO LE2100-2øò
  • Ìîíèòîð MARTIN AUDIO LE1500-12øò
  • Ìîíèòîð MARTIN AUDIO LE1200-4øò
  • Ìîíèòîð MARTIN AUDIO LE12jb-4øò
  • Ìîíèòîð MARTIN AUDIO Blackline F15-2øò
  • Ìîíèòîð ïðîòîòèï L Acoustic 15coax-4øò
  • Óñèëèòåëü CREST CA9
  • Óñèëèòåëü CREST CA12
  • Óñèëèòåëü Mackie 2600
  • Êîíòðîëëåð BSS Omnidrive 366T-2øò

  • Side Filles

  • Àêóñòè÷åñêàÿ ñèñòåìà Meyer Sound CQ2-4øò
  • Àêóñòè÷åñêàÿ ñèñòåìà KL Sound SW128-4øò
  • Êîíòðîëëåð DBX Driverack PA 2x6-1øò

  • Drums Filles

  • Àêóñòè÷åñêàÿ ñèñòåìà JBL MPro 418SP-2øò
  • Óñèëèòåëü MARTIN AUDIO Ma 1.6-2øò

  • Monitor

  • Ìèêøåðíûé ïóëüò ALLEN&HEATH ML5000 56êàíàëîâ
  • Ìèêøåðíûé ïóëüò ALLEN&HEATH GL3300 32 + 4 (ñòåðåî) êàíàëà
  • Ìèêøåðíûé ïóëüò ALLEN&HEATH Wizard M3 16êàíàëîâ
  • Ìèêøåðíûé ïóëüò ALLEN&HEATH ZED 1402
  • Àêòèâíûé ñïëèòòåð Klark Teknik SQ1-S 8êàíàëîâ-4øò
  • Klark Teknik DN 360-2øò
  • DBX 2231-8øò
  • DBX iEQ31-4øò
  • Klark Teknik Sq One Eq-1øò
  • Drawmer MX 30
  • Drawmer MX 40
  • Klark Teknik Sq One Din-1øò

  • F.O.H

  • Ïóëüò ìèêøåðíûé öèôðîâîé MIDAS Pro 2 56 êàíàëîâ
  • Ïóëüò ìèêøåðíûé öèôðîâîé Digidesign D-Show +Sidecar
  • Klark Teknik DN 360
  • Lexicon PCM 81
  • TC Electronic M One-2øò
  • TC Electronic M 3000
  • TC Electronic D Two-2øò
  • Drawmer DS 404
  • DBX 166 XL-2øò
  • DBX 160 XL-4øò
  • DBX 266 XL

  • Back Line

  • Óäàðíàÿ óñòàíîâêà TAMA BirchBubinga Drumkit 10\'\',12\'\',16\'\',14\'\',22\'\'
  • Óäàðíàÿ óñòàíîâêà TAMA Starclassic Drumkit 12\'\',13\'\',16\'\',14\'\',22\'\'
  • Fender Twin reverb ãèòàðíûé êîìáî-2øò
  • Fender Acoustasonic SFX 160 àêóñòè÷åñêèé ãèòàðíûé êîìáî
  • Hartke BX215XL áàñîâûé êàáèíåò 400Âò
  • Hartke 410XL áàñîâûé êàáèíåò 400Âò
  • Hartke 7000 áàñîâûé óñèëèòåëü 700Âò
  • Hartke Kilo áàñîâûé óñèëèòåëü 1000Âò
  • Ampeg SVT 6 PROU áàñîâûé ëàìïîâûé óñèëèòåëü 1100Âò
  • Ampeg SVT-810E/AVáàñîâûé êàáèíåò 800Âò
  • Marshall 1960 À ãèòàðíûé êàáèíåò 300Âò
  • Marshall 1960 AV ãèòàðíûé êàáèíåò 300Âò
  • Marshall JCM 2000 (100W) ãèòàðíûé ëàìïîâûé 60Âò
  • MESA BOOGIE Triple Rectifier Solo Head (150W) ãèòàðíûé ëàìïîâûé óñ.150Âò-2øò
  • MESA BOOGIE 4X12 RECTIFIER STANDARD SLANT CABINET-1øò
  • Marshall JCM 900 (100W) ãèòàðíûé ëàìïîâûé 100Âò-2øò
  • Fender RockPro1000 Óñèëèòåëü+êàáèíåò 4õ12 100Âò
  • VOX AC30 C2 ãèòàðíûé êîìáî 2õ12 30Âò-2øò
  • Roland RD-300NX öèôðîâîå ôîðòåïèàíî 88 âçâåøåííûõ êëàâèø
  • Kurzweil K2500 ProX 88 âçâåøåííûõ êëàâèø
  • Alesis Sumo 300 êëàâèøíûé êîìáî (300W)
  • Ãèòàðíàÿ ñòîéêà-5øò
  • Êëàâèøíàÿ ñòîéêà-4øò
  • Klark Teknik DN 100-6øò
  • DBX Db12 -6øò
  • DBX Db10 -4øò

  • CD - MD

  • Äåêà Tascam CD-MD 1-2øò
  • MD äåêà Sony E 52
  • MD äåêà Sony E 10

  • Mic`s

  • Ðàäèîñèñòåìà Shure SLX 4-4øò
  • Ðàäèîñèñòåìà Shure ULXP 24/58-4øò
  • Ìèêðîôîí Shure Beta 58-2øò
  • Ìèêðîôîí Shure SM 58-6øò
  • Ìèêðîôîí Shure SM 57-8øò
  • Ìèêðîôîí Shure Beta 57-4øò
  • Ìèêðîôîí Shure Beta 52-2øò
  • Ìèêðîôîí Shure Beta 91-2øò
  • Ìèêðîôîí Shure Beta 98-3øò
  • Ìèêðîôîí Shure SM 81-2øò
  • Ìèêðîôîí Shure PG 81-5øò
  • Ìèêðîôîí Audiotechnica AE 5100-1øò
  • Ìèêðîôîí Audiotechnica AE 2500-1øò
  • Ìèêðîôîí Audiotechnica Pro 35-3øò
  • Ìèêðîôîí Audiotechnica ATM 350-1øò
  • Ìèêðîôîí Audiotechnica ATM 33A-3øò
  • Ìèêðîôîííûå ñòîéêè íàïîëüíûå-40øò

  • Äîïîëíèò. Îáîðóäîâàíèå

  • Ñïëèòòåð àêòèâíûé 32 ch+ ìóëüòèêîð 50 ì.
  • Ñèëîâîé äèñòðèáüþòåð in 63 A - out 4 (32A) 2 (16A)-3øò
Îáðàùàåì âàøå âíèìàíèå íà òî, ÷òî âñÿ ïðåäñòàâëåííàÿ íà ñàéòå èíôîðìàöèÿ, êàñàþùàÿñÿ êîìïëåêòàöèé, òåõíè÷åñêèõ õàðàêòåðèñòèê, öâåòîâûõ ñî÷åòàíèé, à òàêæå ñòîèìîñòè ïðåäñòàâëåííîãî îáîðóäîâàíèÿ íîñèò èíôîðìàöèîííûé õàðàêòåð è íè ïðè êàêèõ óñëîâèÿõ íå ÿâëÿåòñÿ ïóáëè÷íîé îôåðòîé, îïðåäåëÿåìîé ïîëîæåíèÿìè Ñòàòüè 437 (2) Ãðàæäàíñêîãî êîäåêñà Ðîññèéñêîé Ôåäåðàöèè. Äëÿ ïîëó÷åíèÿ ïîäðîáíîé èíôîðìàöèè î òîâàðå, ïîæàëóéñòà, îáðàùàéòåñü ê ïðîèçâîäèòåëþ îáîðóäîâàíèÿ èëè ê íàøèì ìåíåäæåðàì.